8:30 am - 4:00 pmRegistration
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Entrance to Hayden Library |
The registration and info table (open throughout the day) is at the entrance to Hayden Library (160 Memorial Drive, Building 14S-100). There are two entrances to the library. We will be at the one next to Lewis Music Library (on the north side of Building 14).
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9:00 - 10:30 amSession 1
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The Nexus |
Panel: Text
(starts at 9:15 am)
Milan Terlunen, Chair
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Database Design and Visualization for History Students: Collaborative Research Using 18th Century Newspapers
Daniel DeFraia,
Adam Franklin-Lyons
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Database Design and Visualization for History Students: Collaborative Research Using 18th Century Newspapers
Daniel DeFraia,
Adam Franklin-Lyons
Data collection and organization are key skills often absent from undergraduate humanities coursework. This semester, we have designed a collaborative group project investigating early-modern news culture in our course on premodern communication and news. We are using a relational database to organize notes and research from the entire class, curating information drawn from early-eighteenth century newspapers printed in Boston and London. Using the relational database functions better than google sheets or docs (which provides the sharing, but not the organization), allowing us to control the vocabulary of our core questions and keywords, and streamlining the sharing of information. Structuring the data also allows us to introduce students to data visualizations and mapping techniques – methods that have a long tradition in research communication and news. However, this is most students’ first experience with the concepts of data modeling and the use of such databases. We have worked to balance the competing needs of students to learn about primary source research, but also learn the new technological skills. Additionally, we have vacillated between creating a fully structured assignment with narrow parameters and one with looser goals going in that requires more course correction over the course of the semester. The former would allow the research to progress further and save some student frustration, but the latter gives students a more direct feel for how research design works, frustrations and all.
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Introducing the David Jones Digital Archive Project
Catherine Enwright
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Introducing the David Jones Digital Archive Project
Catherine Enwright
This presentation introduces and explains the progress of the David Jones Digital Archive Project, which is a long-term text encoding project aiming to encode Welsh Poet David Jones’ entire archive. Hosted through the Cambridge University Digital Library, this project has brought together text encoding pedagogy workshops with a collaborative long-term encoding effort of scholars in both the US and UK, primarily run by the David Jones Research Center and the Cambridge University digital humanities librarians. I will introduce Jones and his context, and present the goals, organization, and progress of the project, as well as some of the unique questions and challenges that have arisen. Specifically, the process of encoding Jones’ archive brings up unique challenges in expanding the TEI glossary to fit Jones’ unique use of language and incorporation of visual elements in his texts, and has created an opportunity to pilot using the Digital Library tools at various institutions beyond Cambridge. Starting with encoding Jones’ correspondence held at the Kettle’s Yard Museum in Cambridge, the Digital Archive Project has also combined public Intro to TEI workshops with more specific encoding sessions held virtually and in-person with scholars across universities interested in collaboratively editing and encoding Jones’ archive.
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Data Archeology for Archival Preservation: Training OCR Models for Knowledge Extraction in Cultural Heritage Collections
Giulia Taurino,
Si Wu,
David Smith
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Data Archeology for Archival Preservation: Training OCR Models for Knowledge Extraction in Cultural Heritage Collections
Giulia Taurino,
Si Wu,
David Smith
Practices of archival preservation include the entire range of curatorial activities that help recover and maintain archival records for future access and use. In recent years, preservation activities have been directed not only to protect physical records from deterioration, but also to guarantee the long-term conservation of data and metadata related to heritage collections. With the transition from analog to digital data in broader archival digitization efforts, many academic and cultural institutions have implemented machine learning applications in the preservation process in order to tackle large-scale digital repositories. Among other interventions, a data archeology process in archival contexts represents an effective solution for the recovery of handwritten and typewritten contextual information that comes with physical records in the form of notes, marginalia or else lists of labels contained in older catalogs. In this talk, we will provide an overview of computational methods for data archeology of textual images in archival settings, by focusing on information extraction from the Boston Globe photo collection, carried out in collaboration with the Northeastern University Library. We will show a few examples of utilizing state-of-the-art computer vision techniques and other AI tools for the recovery of cultural heritage data, and focus on current challenges and opportunities of training OCR (Optical Character Recognition) models for knowledge extraction in cultural heritage collections. Finally, we will demonstrate how recovering these annotations both improves users’ access to individual items and also helps researchers to understand the original information-processing labor of creating and maintaining media heritage collections.
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2-135 |
Queering the Archive: Restoring Silenced Community Histories
Vanessa Nicole Torres,
Victoria Dey,
Cassie Tanks,
Claire Lavarreda ,
Kasya O’Connor Grant
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Queering the Archive: Restoring Silenced Community Histories
Vanessa Nicole Torres,
Victoria Dey,
Cassie Tanks,
Claire Lavarreda ,
Kasya O’Connor Grant
This panel is composed of five doctoral students from the interdisciplinary course on qualitative methods, INSH 5602, co-taught by Professors Doreen Lee and Angel David Nieves. INSH 5602 is an innovative course focused on developing ethnographic, oral history, and archival methods to engage with community-building, participatory course development, and service learning work. The course had an equal distribution between the different methods and approaches mentioned above, but it became clear to us that a number of us were invested in further discussions of critical archive studies. Portions of Professor Nieves’ generative syllabus on the importance of queering archival studies provided the inspiration for this interdisciplinary and intergenerational research cluster, as did Professor Lee’s work on dissident archives and political ephemera. A guest session by professional community archivist Jarrett Drake further opened our eyes to how archives can confront, address, and open up questions of how racial injustice is perpetuated and challenged by shifting archival practices.
As a panel, we are interested in building up skills in community-engaged and community-accountable work across the humanities as well as in notions on incomplete archives and archival curios. The members of this panel work in very different communities and contexts, from undocumented immigrants to activists, and will use our comparative insights to question and theorize how archives are formed, what they are for, and how queering the archive can disrupt, challenge, as well as restore the archive for marginalized communities in meaningful ways. Each panel member has utilized a “Queering the Archive” framing to inform our work. As students of a World History program, this has resulted in research that is not limited by borders or timeframes. Our research interests are as follows:
● Reconsidering the role of youth in community organizations for Latiné undocumented immigrant and queer communities to examine how public education – from curriculum in the classroom to social media – is informed and shaped by their intersectional identities.
● Exploring the ways in which gender and sexuality influence leftist revolutionary movements in twentieth century Ireland.
● Examining the role diverse Indigenous communities have played in cultural heritage institutions (such as museums and archives) typically dominated by white academics.
● Reviewing the research of a qualitative study of semi-structured interviews with community members who identify as LGBTQIA+ who shared an oral history and provided descriptive metadata to understand more what thought processes, experiences, considerations, and knowledge informed their metadata decisions. The findings indicate that metadata created by contributors to the archive are better able to negotiate the intricacies of archival belonging and historic archival silences.
● Exploring the intersection between queerness and the Black France community in the 20th century through protest which is otherwise hidden by the conservative French academic environment. Therefore, our research objectives for this panel involve the following: 1) to think critically about archive formation and sustainability across different platforms, especially as they relate to public humanities; and 2) to translate decolonial prerogatives for archival projects located in different contexts; 3) to explore how intergenerational scholarship can produce new insights collectively.
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14E-304 |
Round Table: Building and Rebuilding a University Digital Humanities Program
Melanie Hubbard,
Bee Lehman,
Amanda Rust,
Anna Kijas,
Ian Roy,
Julia Flanders
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Round Table: Building and Rebuilding a University Digital Humanities Program
Melanie Hubbard,
Bee Lehman,
Amanda Rust,
Anna Kijas,
Ian Roy,
Julia Flanders
In the wake of the coronavirus, many institutions in and around Boston are building or rebuilding Digital Scholarship programs. The pandemic led to isolation that contributed to a sense we were working alone (or in tiny communities), the need for new workflows, and, in some cases, stopped or paused projects and other forms of engagement. Also of significance, the need to work so heavily in online environments intensified some skills for us, our students, and colleagues while pushing others into the background. In the aftermath of these challenges, many digital scholarship groups are (re)considering how we teach digital tools, building new connections with our colleagues, and (re)establishing programs with heightened attention to accommodation for both in-person and virtual or hybrid modalities. Furthermore, the pandemic prompted many institutions to express new priorities, create expanded digital programs, and consider how those programs support institutional goals of racial and social justice.
This round table will provide a space for conversation about where we are in our (re)development. The conveners will share short, five-minute presentations on what their institutions are doing, focusing on approaches to staffing and student mentoring, strategic priorities, and resource constraints. We will then offer some initial questions for wider discussion with participants, in order to start a conversation and encourage community reflection.
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10:30 - 10:45 amCoffee break by the registration table
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10:45 am - 12:15 pmSession 2
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14E-304 |
Panel: Cultural Heritage
Sana Aiyar, Chair
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The Nexus |
Brown University Digital Publications and the Future of Scholarship in the Digital Age
Crystal Brusch,
Warren Harding,
Julia Hurley,
Allison Levy
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Brown University Digital Publications and the Future of Scholarship in the Digital Age
Crystal Brusch,
Warren Harding,
Julia Hurley,
Allison Levy
Widely recognized as accessible, intentional, and inclusive, Brown University Digital Publications — launched with generous support from the Mellon Foundation and with additional support from the National Endowment for the Humanities — is helping to set the standards for the future of scholarship in the digital age. BUDP, a program of distinction based in the University Library’s renowned Center for Digital Scholarship, promotes innovative faculty scholarship by catalyzing both the practice and academic recognition of new scholarly forms. Taking full advantage of the digital environment to advance scholarly arguments in ways that could never be accomplished in a conventional book, whether through multimedia enhancements or interactive navigation systems, Brown’s multimodal born-digital publications create exciting new conditions for the production and sharing of knowledge. The panel will showcase landmark publications and projects in development.
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2-135 |
Designing Scholarly “Products”: History, GIS, and the Art of Balancing Scholarly Agendas and User Needs
Kelly O'Neill,
Charles Pflieger,
Vivian Wei,
Abigail Gipson,
Jackie-Erlon-Baurjan
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Designing Scholarly “Products”: History, GIS, and the Art of Balancing Scholarly Agendas and User Needs
Kelly O'Neill,
Charles Pflieger,
Vivian Wei,
Abigail Gipson,
Jackie-Erlon-Baurjan
The Imperiia Project is an ongoing historical GIS research project. It was created not only as a DH initiative but as an experiment in “scholar-entrepreneurship.” Our form of entrepreneurship stops short of attaching price-tags to maps and datasets. Instead, it means we are tasked with producing new knowledge, developing effective ways of disseminating that knowledge, and cultivating new audiences. It means our focus is as much on usability as on quality. In this panel we would like to focus on how thinking about “user” needs and interests shapes the way we work. We will explore some of the strategies we are developing in our effort to avoid the infamous “I built this thing – doesn’t anyone want it?” problem. The panel will consist of 1) a brief introduction by Kelly O’Neill (Imperiia Project Director), 2) pecha-kucha presentations by team members, and 3) a sandbox session in which participants break into small groups to test, critique, and generate conversation around function, design, value, and (dare we say) fun.
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12:15 - 1:45 pmLunch and Poster Session
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Hayden Courtyard |
Boxed lunches will be distributed in the Nexus. You are welcome to eat lunch in the Hayden Courtyard (just outside the library) or outdoors. Please note that the Hayden Courtyard will be open to the public during this time. |
Online |
Visit the virtual poster session on Gather (password: symposium). Poster authors will present during this time, but the space will be available for viewing all day and for two weeks after the symposium.
The full list of posters is available on the symposium website.
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Love Cults, Masquerading Gals, and Subway Sammies: A Digital Visualization and Analysis of the LGBTQ+ Subcultures of Mid-Twentieth Century Boston
Sam Hurwitz
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Love Cults, Masquerading Gals, and Subway Sammies: A Digital Visualization and Analysis of the LGBTQ+ Subcultures of Mid-Twentieth Century Boston
Sam Hurwitz
The poster I would like to present is an extension of my digital capstone project that I did
for my digital humanities certificate at Boston College titled, Love Cults, Masquerading Gals,
and Subway Sammies: A Digital Visualization and Analysis of the LGBTQ+ Subcultures of
Mid-Twentieth Century Boston. This project revealed the geography, composition and behaviors
of LGTBQ+ and gender non-conforming Bostonians from 1940 to 1966. My dataset was
extracted from The Mid-Town Journal, a newspaper from the South End of Boston. The poster
would condense my webpage project onto a singular poster board which would highlight some of
my main findings. One example of my project’s discoveries would be emphasizing the three
main neighborhoods that queer and gender non-conforming folks lived in which were Back Bay,
Beacon Hill, and the South End. I would also emphasize the demographic information that The
Mid-Town Journal documented. The average age of a queer individual recorded in the paper was
26 years old and the majority of them were lower class gay men or transgender women. Many of
the arrests of LGBTQ+ people took place in the South End, Back Bay or downtown Boston.
Relativity few gay women were arrested by the police for lewd and/or disorderly conduct. To my
knowledge, the only other digital humanities project about Boston’s LGBTQ+ community
documented Boston’s gay bars over the last hundred years. My project takes a more complex
role in understanding the structures and practices of Boston’s mid-20 th century queer subcultures.
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Exploring New Forms of Digital Publication: The Perseus Journal of Data Preservation and Sustainability
Alison Babeu
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Exploring New Forms of Digital Publication: The Perseus Journal of Data Preservation and Sustainability
Alison Babeu
Starting in 2022, the Perseus Digital Library (PDL) project began to explore the possibilities inherent in launching a new digital publishing venture entitled the Perseus Journal of Data Preservation and Sustainability. We were inspired by the groundbreaking work of the Journal of Slavery and Data Preservation, a digital academic journal that publishes data articles that are linked to datasets in publicly available repositories such as Dataverse. In addition, as we searched for a relevant publishing platform we found the Reviews in Digital Humanities and its use of PubPub and community editing as an excellent model to emulate. Having found both a publishing venue and compelling models to follow Perseus has begun to explore the creation of an experimental digital journal. We plan to publish datasets and accompanying data articles about content that has appeared or is being developed to appear, in evolving forms of the PDL (particularly the new version being developed through the Beyond Translation Project). Our goal is to provide our students and collaborators with a platform upon which to create new forms of digital publications and born digital resources such as Jupyter notebooks with accompanying data, aligned texts and translations, geospatial and prosopographical data, or linguistic annotations such as treebanks. By seeking to elevate data to a first-class publication status and by providing review, recognition and credit to those working diligently to generate, create, and contextualize digital information on a range of sources, we hope to also provide these resources with long term preservation and sustainability.
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Early English Book Subscribers
Elspeth Currie
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Early English Book Subscribers
Elspeth Currie
This poster presents a work in progress, Early English Book Subscribers, a project currently underway for Boston College’s graduate-level capstone class, “Digital Humanities as Public Scholarship.” In seventeenth-century England, authors and printers began developing a system of publication through subscription for scholarly and expensive books. Occasionally, books published this way included lists of their subscribers' names, a survival that offers insight into the demographics of knowledge producers and consumers in the early modern world. The people who fund knowledge shape knowledge, and formal study of subscription lists introduces us to these individuals. This project, Early English Book Subscribers (EEBS) uses the subscription lists in twelve texts published between 1617 and 1700 to create a dataset of these subscribers, noting their name, gender, class, and, when stated, their education, occupation, and industry. While the central focus of this project is the creation and publication of the EEBS dataset, this project also offers some initial analysis and visualization of subscriber demographics to suggest various ways researchers could use this dataset. Particular attention is given to the connections between gender and genre, as well as educational status and class distinctions.
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Life writing, well-being & the digital humanities
Alayne Moody
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Life writing, well-being & the digital humanities
Alayne Moody
The modern pursuit of human happiness is destabilizing the Earth’s ecosystems while failing to deliver the greatest happiness for the greatest number, or even sustained happiness for the privileged few. Understanding what can satisfy 8+ billion people is important to all life on Earth. Human flourishing has long interested scholars in the humanities and the social sciences, but cooperation between these two domains has been limited on the topic. An integration of perspectives and knowledge, through the digital humanities methodology, may show an environmentally sustainable pathway to socially equitable human well-being. Positioned within the pragmatic research paradigm, my work examines the degree to which the contemporary construct known as subjective well-being (SWB), mostly developed within the social sciences, maps onto historical life writing, usually studied within the humanities. Using a mixture of methods, I measure sentiment, identify topics and evaluate social networks in 19th century English language letters, diaries and autobiographies, then I use Bayesian regression to model relationships among these textual features and author variables, such as gender and social class. The objective is to determine whether the private musings of ordinary people going about their day-to-day activities in real-world contexts reveals aspects of human well-being not captured by the SWB construct. My poster will focus on work-to-date, which has been to chart the interdisciplinary landscape of well-being research, to articulate appropriate theoretical and methodological frameworks, to evaluate ethical implications, and to begin developing a corpus of life writings that includes underrepresented voices, such as those of women, labourers and minorities.
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The Language of Systems Change
Lana Cook
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The Language of Systems Change
Lana Cook
The new MIT Systems Awareness Lab with Comparative Media Studies / Writing studies the
conditions and ongoing processes of systems change in education, mapping the influential
behaviors, perceptions, mindsets and structures that enable or disable systems change across
large-scale systems of education from school districts to state-wide departments of education.
We seek to use computational methods to identify patterns in keywords and recurrent themes in
participants’ testimonials about moments of change in their schools, their classrooms, and in
themselves as educators and as people. Working with the nonprofit Center for Systems
Awareness, a MIT research team will collect written, visual and video artifacts (testimonials, tool
drawings, journal reflections) developed by participants during capacity building workshops on
compassionate systems leadership, a pedagogical framework that integrates evidence-based
organizational learning, leadership development and socioemotional learning methods to
develop learners’ understanding of systems change processes and their agency within such
complexity. These insights gathered over a large corpus of artifacts produced by workshop
participants would enable our research team to gain a better understanding of the lived
experiences of systems change at individual to institutional levels, and identify key indicators of
successful systems change processes. Developing this framework of systems change indicators
will enable education practitioners and researchers to further refine interventions designed to
influence the behaviors or values of a particular system, whether a group or team, school, state
or global community. In the midst of international conflict and war, climate disaster and racial
injustice, such research on the reliable conditions of systems change are increasingly necessary
in a world in need of seismic shifts in how we treat one another and our living world.
This is an early stage project and we seek to use the symposium to further refine the study
design in conversation with this interdisciplinary community.
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Open Access Readers in the Literature Classroom
Daniel Dougherty
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Open Access Readers in the Literature Classroom
Daniel Dougherty
Open Educational Resources (OERs) are extremely valuable tools for broadening access to
classroom materials at all levels of pedagogy that are free to share and modify as needed.
Particularly in the humanities, as teachers become increasingly specialized in their research,
there can be a gap between extremely focused individual research and institutional expectations
that instructors from graduate students to senior faculty teach introductory level and general
survey courses. A typical division of British Literature taught in “Brit Lit I” and “Brit Lit II” for
example might be the late 17th Century, leaving instructors covering several centuries of
literature on either side of that divide they have little expertise in. Readers such as the Norton
Anthologies have been useful in collecting and organizing texts for both instructors and students,
but there is a very real monetary cost associated with assigning texts from the Nortons, and,
despite improvements in recent years, certain glaring omissions in broader representations of
non-canonical authors and texts. OER Subject Readers are an opportunity for an expert in a
given field to curate a document for instructors outside that field who are expected to teach texts
and periods they are less familiar with. Because so many texts are already in the public domain,
these readers are not only free for instructors, but also free for students. OER Subject Readers
represent a collaborative use of the corpus of public domain texts to increase availability and
address the space between research/publishing expectations and institutional pedagogical
expectations.
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The Kit Marlowe Project
Kristen Abbott Bennett
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The Kit Marlowe Project
Kristen Abbott Bennett
The Kit Marlowe Project is public-facing, student-generated digital resource dedicated to the study of Christopher Marlowe in the context of early modern English literature and history. Simultaneously it is a site of knowledge-making and experimental digital pedagogy in action. Students contribute original research and DH-driven projects including previously unpublished TEI-encoded, diplomatic editions of early modern works. The Kit Marlowe Project (KMP) was launched as one of ten digital exhibits at the 2018 Shakespeare Association of America meeting in Los Angeles. The project has been built by undergraduate students to offer an accessible, public-facing resource for their peers to learn about Christopher Marlowe’s life, works, and times. Over time, it has evolved into an internationally recognized resource for studying early modern English literary culture, a model of experimental digital pedagogy, and a resource for teachers. In 2018, KMP featured a “Mini-Archive” of TEI (Text Encoding Initiative) Marlowe-Related texts, a complete collection of open-source digital editions of Marlowe’s drama and poetry, an Encyclopedia, and exhibits exploring Conspiracies & Espionage, Marlowe’s Family Tree, and Social Networks. Most of these features have since been augmented substantially:
• The “Mini-Archive” has grown from two to eight previously unavailable, TEI-encoded excerpts of Marlowe-related texts.
• The “Works” have been re-organized, and some augmented with performance and scholarship exhibits (see IH6 “Performance”).
• The “Encyclopedia” has been augmented with updated information and new entries.
• We have two new offerings in the “Games & Quizzes” section (previously a placeholder).
• During the pivot to online teaching in 2020, we shifted focus to create “Research Resources” for students and teachers. These resources include not only a list of “Digital Resources,” but also “Research Video Tutorials,” a series of “how to” videos designed to help students navigate open-source knowledge bases. Students also created “how to” videos to help their peers navigate WordPress as they contribute to the KMP site.
• The “Teaching Resources” have evolved significantly insofar as students have now become contributors and we have realized a truly integrated faculty-student collaboration. KMP began as a Do-It-Yourself DH project and remains institutionally independent. It offers a scalable model for integrating digital approaches to studying literature into classrooms primarily using accessible, open-source tools and methods.
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Analyzing the #BoycottQatar2022 Movement
Arjun Maitra
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Analyzing the #BoycottQatar2022 Movement
Arjun Maitra
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A Visual and Literary Exploration of Daniel Defoe's Scotland
Brianna Reisbeck
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A Visual and Literary Exploration of Daniel Defoe's Scotland
Brianna Reisbeck
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1:45 - 3:15 pmSession 3
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The Nexus |
Panel: 3D Data
Kurt Fendt, Chair
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Digital research humanities in media arts through interactive dance performance
Maria Rita Nogueira
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Digital research humanities in media arts through interactive dance performance
Maria Rita Nogueira
Interactive art projects that involve body movement interaction are increasingly being developed with the help of digital research humanities (DRH) methodologies. DRH offers a powerful set of tools and techniques that can aid researchers and artists in gaining valuable insights into the ways audiences engage with and respond to interactive art projects that center on bodily movement.
In the context of interactive dance performances, DRH can be used to explore the relationship between technology and bodily movement in interactive dance performances. Researchers and artists can examine how technology enhances or limits bodily movement in these projects, and how audiences engage with and respond to such technology.
Furthermore, DRH can be utilized to analyze audience behavior and response by collecting and analyzing data on audience movement. This information can help researchers gain a deeper understanding of how audiences interact with interactive art, which can, in turn, inform the creation of more engaging and effective projects.
The present work provides a powerful set of tools and methodologies for exploring the intersection of technology, bodily movement, and interactive art, starting from the beginning stages. By using these tools and techniques, researchers and artists can create more engaging and effective interactive art projects, and gain a deeper understanding of the ways in which audiences engage with and respond to this type of work.
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CitySchema.org A Framework for Cross-Disciplinary, Cross-Temporal Collaboration on City Models
Paul Cote
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CitySchema.org A Framework for Cross-Disciplinary, Cross-Temporal Collaboration on City Models
Paul Cote
If you wanted to engage a team of people to create a 3D model representing the historical or future development of a neighborhood, there would be a formidable effort in preparing a base-model and developing a framework for each participant to format and exchange model components so that the individual efforts could assembled into a coherent city model. Developing and preserving information about the three-dimansional form of urban spaces would be more practical if base-models and a sharing framework were already developed. The effort invested will be more rewarding if the assets developed were preserved and accessible for future collaborators to extend spatially and temporally. The difficulties and possibilities for multi-disciplinary collaboration on city models were the inspiration for citySchema.org. Developed with support of the cities of Boston and Cambridge, which now host 3D model download sites for detailed terrain and building model collections in open formats compatible with diverse 3D authoring tools. Individuals and teams may use these model collections to start independent city modeling projects. Independent projects can use the citySchema Repository/Catalog template to preserve and publish their project resources for re-use by others. This short presentation will discuss opportunities for using the citySchema.org resources in academic, archival and hackathon settings; and how the design for a cross-disciplinary federated framework for collecting and sharing 3D models was guided by the Reference Model for Open Archival Information Systems (OAIS.)
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Inside and Out: Creating complete replicas of pottery vessels
Joshua Aldwinckle-Povey
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Inside and Out: Creating complete replicas of pottery vessels
Joshua Aldwinckle-Povey
We present a novel technique for 3D scanning pots, capturing both internal and external aspects. This technique was achieved using the combination of photogrammetry for external scanning and using a 3D printed prop to enable a scope lens to capture photogrammetry data of the internal aspects.
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Longhand: Text Tokens as 3D Object Arrays in Virtual Reality
Matt Cook
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Longhand: Text Tokens as 3D Object Arrays in Virtual Reality
Matt Cook
While objects of study associated with academic disciplines “whose primary dimensions are spatial” (i.e. STEM) are regularly deployed in virtual reality (VR) to support research and instruction, immersive visualization technology has yet to see consistent uptake in text-centric humanities, like History, Philosophy, and Literature. This is due in part to the nature and quality of source material, which often defies visualization; transcends media; and precludes close reading by virtue of sheer scale. That's where Longhand comes in.
Longhand is a word cloud generator, but the words are 3D models deployed in virtual reality. The models chosen represent text tokens in a corpus. Longhand exposes text-centric researchers to the specific benefits of immersive visualization, including environmental depth cues and embodiment interfacing. The tool was envisioned as an opportunity for non-technical scholars to engage quickly in exploratory analysis - to glimpse the contents of a text corpus and generate research questions - without going down the rabbit hole of software development.
This talk will begin with the initial motivation for Longhand: An ongoing pattern of technology consultations, taking place in an academic library, related to the notion of corpus analysis. The technical architecture and inherent limitations of the tool will then be discussed, and the talk will finally gesture towards a future iteration of the Longhand software, where text-to-image AI (e.g. DALL-E, Stable Diffusion, etc.) tools can be used to generate more precise representations of text collections for virtual exploration by distributed teams of digital humanists.
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14E-304 |
Pardon our Dust: Public Data Infrastructure Under Construction
Rahul Bhargava,
Hayden DelCiello,
Zhen Guo,
Alyssa Smith
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Pardon our Dust: Public Data Infrastructure Under Construction
Rahul Bhargava,
Hayden DelCiello,
Zhen Guo,
Alyssa Smith
Large-scale, high-quality social media and Internet data are useful for understanding how
people build community, negotiate identity, and discuss ideas in networked publics. A growing
set of disciplines is looking to these datasets as foundational for work on understanding
misinformation in areas such as health, science, and political communication. However,
accumulating this data at scale, ensuring its quality, and aggregating it for preliminary analysis
are all non-trivial tasks that are difficult for researchers who lack significant computing skills and
resources. Public data infrastructure, such as the tools we are presenting in this panel, is a
promising avenue for making large datasets available to the public at scale. We hope that the
interventions we present will become models for other such projects; as such, we will
open-source our code and hope to demonstrate the functionalities we’ve introduced widely and
often.
We present two under-construction interventions in this space: first, we demonstrate a
searchable version of the Lazer Lab’s Twitter Panel, a dataset linking real American voters to
their Twitter accounts, along with the open-source architecture that supports the searchable
dataset. Second, we discuss a revamped search interface and corpus of international online
news, built around a new collaboration between Media Cloud and the Internet Archive’s
Wayback Machine. This project is assembling a unique new index of billions of online global
news stories, and a cross-platform interface for comparative searching across it and other online
archives of social content.
The Twitter Panel matches voter file data with Twitter accounts that list a first name, last name,
and location; because these users are real U.S. voters with attached demographic information,
this dataset can produce valuable insights into Americans’ online behavior. Though access has
been limited until now, reporting aggregate statistics is allowed under the data usage guidelines
for the panel. Our website allows users to view aggregate statistics and visualizations on users
who tweeted using any keyword. Panelists’ privacy is protected; the site will display an error
message for any search query that returns so few tweets that identifiability becomes a concern.
The site is currently under construction, and we plan to demonstrate the functionality we have
built so far along with a roadmap for its future.
The Media Cloud corpus is a cross-organization repository of almost 2 billion news stories, and
a system for searching the same. Ongoing data collection, in collaboration with the Internet
Archive’s Wayback Machine, adds half a million stories each day. Searching is supported
through a web-based tool, and leverages a directory of global media sources grouped into
geographic and topical collections. Moving beyond this single corpus, the search tool allows
users to compare attention online across other platforms such as Twitter, Reddit, and others
(using public APIs).
Taken together, the Lazer Lab Twitter Panel and Media Cloud represent a growing set of tools
that support various digital scholars in leveraging online media research for understanding, arts,
and activism. We will share some representative projects and potential use-cases to illustrate
the growing need for public data infrastructure.
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14E-310 |
Panel: Local Archives
(starts at 2 pm)
Garrett Dash Nelson, Chair
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3:15 - 3:30 pmCoffee break in the Nexus
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3:30 - 5:00 pmSession 4
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14E-304 |
Panel: Institutions and Pedagogy
Emily Coolidge Toker, Chair
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The Nexus |
Humanizing the Data: Approaches to centering the human story in digital projects at Brown’s Center for Digital Scholarship
Enongo Lumumba-Kasongo,
Ashley Champagne,
Zhuqing Li,
Zoe Zimmerman,
Elizabeth Yalkut,
Laura Tamayo,
Patrick Rashleigh
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Humanizing the Data: Approaches to centering the human story in digital projects at Brown’s Center for Digital Scholarship
Enongo Lumumba-Kasongo,
Ashley Champagne,
Zhuqing Li,
Zoe Zimmerman,
Elizabeth Yalkut,
Laura Tamayo,
Patrick Rashleigh
Brown University’s digital scholarship hub, the Center for Digital Scholarship (CDS), develops and stewards faculty and student projects that are inclusive and open, responsive
to diverse perspectives, and focused and intentional about ethical and cultural concerns and public impact. One key way our CDS is operationalizing that vision is by thinking
intentionally about how we center human stories with data-driven approaches. Several scholars have recently written about the importance of thinking about how data, which is
not neutral, is collected, analyzed, and described (D’lgnazio and Klein) and how data and technological systems retain the biases of their creators (Noble). This panel will bring
together three in-progress digital projects, described below, that utilize data-driven approaches and share human-centered stories and historical context to create projects that
help correct gaps in the archival record:
The Keeper Project is a research initiative led by hip hop artists Akua Naru and Dr. Enongo
Lumumba-Kasongo, Assistant Professor of Music, as well as Dr. Tricia Rose, Professor of
Africana Studies, that calls attention to the systematic erasure of women and girls from
popular and scholarly accounts of hip hop artistry and innovation, and it challenges these
outcomes through the presentation of a rich counter-narrative, devised from oral histories
and a large dataset that documents the vast impact that of women and girls within the
genre. The project grapples with questions like, how do we present the vast impact of
women and girls in hip hop through data and amplify the voices most often relegated to the
margins of hip hop music and culture?
Depicting Glory is a digital project led by Dr. Zhuqing Li, Visiting Associate Professor of East
Asian Studies at Brown University, that presents a group of rare Chinese objects drawn
from across the Brown University Library. Although the items were created in different
times and places, they collectively reflect societal sentiments surrounding an issue central
to China’s modernization process: the intersection of power, status, and collective identity.
The project has wrestled with questions such as, how do you present the archival materials
in a way that stays true to their historical contexts while also sharing the story of how these
archival materials tell a larger collective story when put in conversation together?
Stolen Relations: Recovering Stories of Indigenous Enslavement in the Americas led by Dr.
Linford Fisher, Associate Professor of History, is a community-based project to build a
database of enslaved and unfree Indigenous people since 1492 all across the Americas in
order to promote greater understanding of the historical circumstances and ongoing
trauma of settler colonialism. Our data largely stems from archival documents written by
colonizers (the enslavers, supporters of enslavers) who purposefully dehumanized
Indigenous cultures to justify enslavement. In collaboration with Indigenous community
partners in Southern New England, the project team is intentionally developing
decolonizing context to frame these colonial documents by attending to the oppression and
erasure inherent to historical sources with context that centers the voices of the
contemporary Indigenous community.
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14E-310 |
Engaging Digital Ethics, Access/ibility, and User Experience in The Early Black Boston Digital Almanac (EBBDA)
Nicole N. Aljoe,
Savita Maharaj,
Yana Mommadova,
Tieanna Graphenreed,
Juniper Johnson
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Engaging Digital Ethics, Access/ibility, and User Experience in The Early Black Boston Digital Almanac (EBBDA)
Nicole N. Aljoe,
Savita Maharaj,
Yana Mommadova,
Tieanna Graphenreed,
Juniper Johnson
The Early Black Boston Digital Almanac (EBBDA) is a site dedicated to highlighting the various movements, locations, art, and rhetoric of Black figures and coalitions that shaped Boston's history, and thusly, its present. This site encourages its users to learn more about Black communities in Boston’s early history through digital exhibits using multi-media and archival material. In 2022, we made a tough decision to relaunch ebbda.org via Reclaim hosting to better serve our community partners: K-12 teachers and students at Boston Public Schools (BPS). In that process, we learned how to create, maintain, and troubleshoot problems on a major public-facing digital domain and increase research and pedagogical outputs founded on collaborative community-based work, all while still emphasizing access/ibility, universal design principles, and anti-racist pedagogies.
The Project Founder and four EBBDA team members will share brief stories about the challenges EBBDA confronted and how EBBDA materials and curricula intervene in the implicit (and, at times, explicit) move to ignore the contributions of Black people in local histories and teachings about Boston. Speaker 1 will provide information about the background and foundations of the site. Speakers 2 and 3 will share information about the development of the back-end and EBBDA’s improvements toward accessibility and user experience. Speaker 4 will discuss the curriculum and the experiences of working with faculty at Boston public schools Speaker 5 will share details about the development of individual digital exhibits.
Our team is excited to engage conference participants in a discussion about digital modes and methods toward accessibility and usability, community partners and resisting hierarchies of knowledge, and representations of Blackness, Black joy, and an ethics of care in public-facing digital humanities research in Boston.
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5:00 - 6:00 pmReception
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Hayden Courtyard |
Please join us in the Hayden Courtyard at the end of the day for a short reception. |